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Satsumo What Is Satsuma Pottery? Video

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Types of fruit. Want to learn more? Examples of satsuma. Satsuma leaders benefited from the fact that their domain enjoyed a relatively free hand in creating and expanding commercial links.

From the Cambridge English Corpus. Satsuma leaders are mm credited with using sugar sales to amass a sizeable supplemental income beyond the established tax revenue obtained via standard taxes on agriculture.

These examples are from corpora and from sources on the web. Any opinions in the examples do not represent the opinion of the Cambridge Dictionary editors or of Cambridge University Press or its licensors.

After the war, he made strenuous efforts to revive the satsuma orange industry. From Wikipedia. This example is from Wikipedia and may be reused under a CC BY-SA license.

Satsuma -ages may also use oily fish such as salmon for a markedly different flavour. Satsuma may refer to: Satsuma fruit , a citrus fruit Satsuma gastropod , a genus of land snails Contents.

Disambiguation page providing links to topics that could be referred to by the same search term. The production soon spread to several cities such as Kyoto, Tokyo, Nagoya, Yokohama and elsewhere throughout Japan, from the Meiji period up until today.

The original Satsuma Han however has a much longer history than that. If you click the map icon to the right you will find this as the Satsuma area on the southern Kyushu island.

The first historical kilns here were established by Korean potters in the late 16th century. These first wares were a massive and hard stoneware, covered with a thick dark glaze, a ware that are so rare that only museums might have a few to show.

The circle with a cross that often make up a part of the marks, are the Shimazu mon or the family crest of the clan that ruled Satsuma Han however I doubt that any one of the Shimazu clan ever owned or, let alone ordered one Satsuma export style ware piece to be made.

If that however had been the case, the crest would in that case been blue, since that was also the Shimazu clan colors. The success of the Satsuma export decorative style inspired many followers, some of which have a stoneware body or one of pure white porcelain.

Just to make it easier for the interested collector to find his way to the information offered here, I have chosen to collect any and all Satsuma looking wares, here.

Ceramics bearing the Satsuma Kamon were made well outside of the borders of Kyushu. Items for export were often decorated with obscure and unrelated themes chosen for their drama and exoticism.

These wares thus inspired a whole design movement in the West known as Japonism. Satsuma was produced in Kagoshima, Kyoto, Tokyo, Osaka, Kobe, and Kanazawa by hundreds of known artists, in many styles and by literally thousands of unknown decorators.

Meizan has pieces authenticated as being done in Kanazawa Kutani. In spite of very good quality work, many good pieces are simply unmarked.

The colour Gosu Blue is found on a type of Satsuma which used to be called Imperial Satsuma circa late 19 century. Gosu Blue is distinctive with a very thick glaze that can be either dark blue, green or black depending on the firing.

A comment on Kyoto or Awata wares as compared to Satsuma ware is that pieces manufactured in Awata near Kyoto, after the Edo period, are all called Kyoto Satsuma.

Later on, Satsuma style wares was also produced in Yokohama and Tokyo. The paste and glaze is probably the same as on Satsuma ware while the style of decoration is different.

Sandra Andacht, in her Treasury of Satsuma book, quotes a 19th century visitor to the Kinkozan factory, saying that "the same glazed pots were decorated in two styles, the one being called Kyoto or Awata ware , and the other Satsuma ".

Please also notice that the authenticity of many of the more important marks below are uncertain. Jan-Erik Nilsson Introductory text written by and together with several expert members of the Gotheborg Discussion Board.

Satsuma or Satsuma Yaki, generic marks Generic Satsuma marks refer to marks added to a Japanese ceramic piece to indicate a style in general instead being the name of a specific company, studio or any individual artist.

Mark: Satsuma yaki under the Shimazu family crest. As all the blue, including the mark, is Gosu blue, Presumed date to the earlier part of the Meiji period, around or thereabouts.

Click here to see large picture Mark: Shimazu family crest and below that Satsuma Yaki , the last character in Satsuma is abbreviated.

Date: Probably latter part of the Meiji period. Mark: Shimazu family crest; Satsuma ; [last character is abbreviated]. Satsuma tsukuru. Mark: Satsuma under the Shimazu family crest.

Taisho period Mark: Satsuma in Japanese hiragana characters their native syllabary. Mark: Satsuma , modern mark dated Imported by, or ordered by the Arnart Import Company.

Mark: Satsuma , modern mark, c. Mark, stamped Satsuma under the Shimazu family crest, c. These were mass produced during this time and sold to western military personnel on the bases and to visitors and tourists.

This Bizan is one of several workshops working for the export industry of the time. It is also not Shimizu Bizan of Kutani fame whose work is extraordinary.

There were a number of Bizans working over the years. Bizan , Taisho period Tea or coffe set. Mark: Bizan under the Shimazu family crest.

Taisho period or sligtly later. Chikusai Chin Jukan Chin Jukan Jukan zo, Jukan sei, Gyokuzan zo occurs under many signatures.

Most important was Chin Jukan XII who was the founding father of the satsuma industry in Kagoshima, Satsuma province. He exhibited at many international exhibitions during the years The factory produced blanks for Satsuma decorators across Japan, notably Yabu Meizan and Gyokushu.

Chin also used the name Gyokuzan between Other artists are Chin Jukan XIV , Satsuma Jukan sei and Chin Jukan XV Chineike Chinzan Chokuzan Choshuzan Choshuzan, alternative reading ZHO or naka , SHU and ZAN yama.

Large factory producing low to middle quality wares. Often complex marks including Dai Nippon and name of individual potter. One of the most common marks on Kyoto Satsuma dragonware during the second half of the Meiji period is that of Choshuzan , mostly in conjuction with another artist and some kind of commendatory mark such as respectfully made.

Marks can in addition to Choshuzan have Dai Nippon Great Japan , Satsuma Koku , Jissei in , Choshuzan saku made , Kagetsu hitsu decorated.

Tea cup and saucer, Kyoto Satsuma ware, Mark: Choshuzan. Decoration of dragons with white slip moriage on a heavy gilded ground, often referred to as dragonware.

Date second half of the Meiji period Mark: The three top characters read, from right to left - Dai Nippon. The four characters in the centre read Satsuma, Jitsu Sei.

The three on the right read Choshuzan i. The large square character seems to read either Maru , or Tsubaru meaning round or circular, it may be a studio mark.

Date: probably from the later part of the Meiji period. Daimyo Mark: Right colum: Dai Nippon. Middle column of 3 characters is best written as "Satsu ma shortened form yaki", rather than "Satsu ma sho", so "Satsuma ware".

The decorator's name has just 2 characters, I think best written as Daimyo perhaps, in this sense, meaning "great reputation" , with the LH column then reading "Daimyo made".

Likely date, around Dozan Eizan Eizan Kawamoto. Specialized in large pieces carved in high relief.

Fujisan Mark: Fujisan. Likely date around Fukiya Mark: Fuki-ya. A company name. Click here to see large picture Fukyu Furukawa Futaji Mark: Shimazu family crest; Possible reading Futaji.

Before Satsuma style Moriage Dragon Ware Tea Set. Mark: Shimazu family crest above two character mark possible reading Futaji. First half 20th century.

Click here to see large picture Fuzan Meiji period Fuzan Ryun Mark: Fuzan. Tentative date due to family history, around Mark: Gaho.

Tentative date: Late Meiji Mark: Gaho , where the first part of the name have been rubbed off. The signature have the same seal of which the reading is doubtful as mark This vase with its gosu blue enamel, appear to have originated from Kagoshima, rather than Kyoto or the other "mainland" centers.

The general thinking about Satsuma with gosu blue in the decoration suggests late Edo or early Meiji say You can also post a picture of your items over at our Facebook page , but please bear in mind that we are not experts in Satsuma pieces and cannot give a valuation service , especially from some blurred photos sent over the Internet.

Close Menu Home. Satsuma Pottery Valuation Service. Privacy Policy. What Is Satsuma Pottery? Für die Satsuma wird ein Ursprung in Japan angenommen, obwohl die genaue Herkunftsregion nicht nachgewiesen ist.

Der Name Satsuma leitet sich ab von Satsuma , dem früheren Namen eines Territoriums in der heutigen Präfektur Kagoshima im Süden Japans.

Ihr Anbau dort ist seit dem Jahrhundert nachgewiesen. In Europa wurde sie zuerst im Jahrhundert durch die Forschungsberichte des Naturforschers Philipp Franz von Siebold bekannt.

Da sich der japanische Name für die Frucht vermutlich von demjenigen der chinesischen Provinz Wenzhou herleitet vgl. Ein chinesischer Forscher bemerkte etwa die Ähnlichkeit zur chinesischen Mandarinen-Varietät Bendiguangju , die möglicherweise die Stammform der Satsuma gewesen ist.

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3 Antworten

  1. Yokinos sagt:

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  3. Dikazahn sagt:

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